nking about it and stuff and he turned up and he played good stuff and that's the kind of thing I meant about the element of random. It wasn't like, 'OK, now let's audition another fifty guitarists and let's see who's who and what's what.' We just thought, 'Great, let's see how it goes' and we had a band together then. It worked out good.

Henry McCullough:
Everybody got to know each other; you know me, I know you, and we took each other for what it is. We were a little bit scared of each other. It started off we were a little bit apprehensive and it was 'Who's this we've got in the group?' but we managed to cool out.

Steven:
Did you have plans from the beginning to include Linda?

Paul:
Yeah, Linda was a kind of first inclusion because we'd done Ram together. I worked her so hard in New York because it was all very well having Linda on harmonies but I'm not having her do bum harmonies. So I only worked her like mad. I mean she had never done it before, she'd never done a thing before. If you listen to Ram, all those harmonies on there are just me and Linda. Pretty good, some of them. It was quite hard work as I said. I worked her hard on that album. There was a bit of (mimics Linda), 'What do you mean I'm singing flat?' But in the end it was OK and we did it.

Steven:
You must have noticed tonight that the more rock tunes you did created a bigger response. Will you emphasize those more and more?

Paul:
That's what we're thinking, that's the way we're going to include a few more of those kinds of numbers. The main thing in performance, an average audience always go for numbers they know. Witness tonight when we did 'C Moon;' as soon as we hit 'C Moon,' which was a hit in Britain but not in the States, how the audience reacted.

Linda McCartney:
On the university tour, we did some numbers twice.

Paul:
But rather than go back, we'd like to do new numbers in the same vein. And on the next album we'll have another bunch of numbers from which to choose. And by the time that album is done the whole act will be there.

Steven:
How did it feel getting back on stage?

Paul:
It's now beginning to feel really good. It feels good to have a gig. If you're just recording it's very nice but you get a bit sterile. It's a bit testtube, a bit like being in the laboratory. And if you go out and play, it's the difference between sex and artificial insemination. Do you get what I mean? That's what I think ? audiences. It's true enough, isn't it?

Steven:
Being on stage, then, must be a natural place for you.

Paul:
You see I've always been, I suppose, a bit shy about getting up on stage. I remember the first time I ever got up on stage, I hauled my brother up with me. He had his arm in a cast, he'd broken his arm at scout camp, and I brought him up there with me. I brought my guitar with me and guess what I sang? 'Long Tall Sally.' I was eleven and still doing it.

Steven Rosen is a Rock Journalist. Since 1973 he has accumulated over 1000 hours of audio content and 700 articles and interviews...all now available for licensing or purchase.

Contact Steven Rosen for more information and review more of Steven's published interviews at http://www.classic-rock-legends-start-here.com/classic-rock-interviews.html

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