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The Celtic Twilight《凯尔特的薄暮》


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William Butler Yeats (1865-1939), Nobel Prize winning Irish dramatist, author and poet wrote The Celtic Twilight (1893);

Paddy Flynn is dead;....He was a great teller of tales, and unlike our common romancers, knew how to empty heaven, hell, and purgatory, faeryland and earth, to people his stories. He did not live in a shrunken world, but knew of no less ample circumstance than did Homer himself. Perhaps the Gaelic people shall by his like bring back again the ancient simplicity and amplitude of imagination.....Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet.—ch. 1, “A Teller of Tales”

As one of the founders of the Irish Literary Revival, along with J. M. Synge (1871-1909) [whom he met in 1896], Sean O’Casey (1880-1964), and Padraig (Padraic) Colum (1881-1972) Yeats’ works draw heavily on Irish mythology and history. He never fully embraced his Protestant past nor joined the majority of Ireland’s Roman Catholics but he devoted much of his life to study in myriad other subjects including theosophy, mysticism, spiritualism, and the Kabbalah. At a young age he was reading Dante Alighieri, William Shakespeare, John Donne and the works of William Blake and Percy Bysshe Shelley, recommended by his father and inspiration for his own creativity, but fellow Irish poets Standish James O’Grady (1846-1928) and Sir William Ferguson (1818-1886) were perhaps the most influential. A devoted patriot, Yeats found his voice to speak out against the harsh Nationalist policies of the time. His early dramatic works convey his respect for Irish legend and fascination with the occult, while his later plays take on a more poetical and experimental aspect: Japanese Noh plays and modernism being major influences. While his works explore the greater themes of life in contrast to art, and finding beauty in the mundane, he also produced many works of an intimate quality especially in his later years as father and aging man of letters. We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry—“Anima Hominis,” Essays (1924). Yeats spent most of his life between Sligo, Dublin, and London, but his profound influence to future poets and playwrights and theatre, music and film can be seen the world over.

 

CONTENTS:

TITLE PAGE

THE H OSTING OF THE SIDHE

THIS BOOK

A TELLER OF TALES

BELIEF AND UNBELIEF

MORTAL HELP

A VISIONARY

VILLAGE GHOSTS

'DUST HATH CLOSED HELEN'S EYE'

A KNIGHT OF THE SHEEP

AN ENDURING HEART

THE SORCERERS

THE DEVIL

HAPPY AND UNHAPPY THEOLOGIANS

THE LAST GLEEMAN

REGINA, REGINA PIGMEORUM, VENI

'AND FAIR, FIERCE WOMEN'

ENCHANTED WOODS

MIRACULOUS CREATURES

ARISTOTLE OF THE BOOKS

THE SWINE OF THE GODS

A VOICE

KIDNAPPERS

THE UNTIRING ONES

EARTH, FIRE AND WATER

THE OLD TOWN

THE MAN AND HIS BOOTS

A COWARD

THE THREE O'BYRNES AND THE EVIL FAERIES

DRUMCLIFF AND ROSSES

THE THICK SKULL OF THE FORTUNATE

THE RELIGION OF A SAILOR

CONCERNING THE NEARNESS TOGETHER OF HEAVEN, EARTH, AND PURGATORY

THE EATERS OF PRECIOUS STONES

OUR LADY OF THE HILLS

THE GOLDEN AGE

A REMONSTRANCE WITH SCOTSMEN FOR HAVING SOURED THE DISPOSITION OF THEIR GHOSTS AND FAERIES

WAR

THE QUEEN AND THE FOOL

THE FRIENDS OF THE PEOPLE OF FAERY

DREAMS THAT HAVE NO MORAL

BY THE ROADSIDE

INTO THE TWILIGHT 

 

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