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William Butler Yeats (1865-1939), Nobel Prize winning Irish dramatist, author and poet wrote The Celtic Twilight (1893);
Paddy Flynn is dead;....He was a great teller of tales, and unlike our common romancers, knew how to empty heaven, hell, and purgatory, faeryland and earth, to people his stories. He did not live in a shrunken world, but knew of no less ample circumstance than did Homer himself. Perhaps the Gaelic people shall by his like bring back again the ancient simplicity and amplitude of imagination.....Let us go forth, the tellers of tales, and seize whatever prey the heart long for, and have no fear. Everything exists, everything is true, and the earth is only a little dust under our feet.—ch. 1, “A Teller of Tales”
As one of the founders of the Irish Literary Revival, along with J. M. Synge (1871-1909) [whom he met in 1896], Sean O’Casey (1880-1964), and Padraig (Padraic) Colum (1881-1972) Yeats’ works draw heavily on Irish mythology and history. He never fully embraced his Protestant past nor joined the majority of Ireland’s Roman Catholics but he devoted much of his life to study in myriad other subjects including theosophy, mysticism, spiritualism, and the Kabbalah. At a young age he was reading Dante Alighieri, William Shakespeare, John Donne and the works of William Blake and Percy Bysshe Shelley, recommended by his father and inspiration for his own creativity, but fellow Irish poets Standish James O’Grady (1846-1928) and Sir William Ferguson (1818-1886) were perhaps the most influential. A devoted patriot, Yeats found his voice to speak out against the harsh Nationalist policies of the time. His early dramatic works convey his respect for Irish legend and fascination with the occult, while his later plays take on a more poetical and experimental aspect: Japanese Noh plays and modernism being major influences. While his works explore the greater themes of life in contrast to art, and finding beauty in the mundane, he also produced many works of an intimate quality especially in his later years as father and aging man of letters. We make out of the quarrel with others, rhetoric, but of the quarrel with ourselves, poetry—“Anima Hominis,” Essays (1924). Yeats spent most of his life between Sligo, Dublin, and London, but his profound influence to future poets and playwrights and theatre, music and film can be seen the world over.
CONTENTS:
TITLE PAGE
THE H OSTING OF THE SIDHE
THIS BOOK
A TELLER OF TALES
BELIEF AND UNBELIEF
MORTAL HELP
A VISIONARY
VILLAGE GHOSTS
'DUST HATH CLOSED HELEN'S EYE'
A KNIGHT OF THE SHEEP
AN ENDURING HEART
THE SORCERERS
THE DEVIL
HAPPY AND UNHAPPY THEOLOGIANS
THE LAST GLEEMAN
REGINA, REGINA PIGMEORUM, VENI
'AND FAIR, FIERCE WOMEN'
ENCHANTED WOODS
MIRACULOUS CREATURES
ARISTOTLE OF THE BOOKS
THE SWINE OF THE GODS
A VOICE
KIDNAPPERS
THE UNTIRING ONES
EARTH, FIRE AND WATER
THE OLD TOWN
THE MAN AND HIS BOOTS
A COWARD
THE THREE O'BYRNES AND THE EVIL FAERIES
DRUMCLIFF AND ROSSES
THE THICK SKULL OF THE FORTUNATE
THE RELIGION OF A SAILOR
CONCERNING THE NEARNESS TOGETHER OF HEAVEN, EARTH, AND PURGATORY
THE EATERS OF PRECIOUS STONES
OUR LADY OF THE HILLS
THE GOLDEN AGE
A REMONSTRANCE WITH SCOTSMEN FOR HAVING SOURED THE DISPOSITION OF THEIR GHOSTS AND FAERIES
WAR
THE QUEEN AND THE FOOL
THE FRIENDS OF THE PEOPLE OF FAERY
DREAMS THAT HAVE NO MORAL
BY THE ROADSIDE
INTO THE TWILIGHT
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