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《苏东坡诗文选译》《苏东坡传》（英文原版）林语堂(PDF)

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Su Shi (simplified Chinese: 苏轼，1037–1101) was a writer, poet, artist, calligrapher, pharmacologist, and statesman of the Song Dynasty, and one of the major poets of the Song era. His courtesy name was Zizhan (子瞻) and his pseudonym was Dongpo Jushi (東坡居士 “Resident of Dongpo”), and he is often referred to as Su Dongpo (蘇東坡). Besides his renowned poetry, his other existent writings are of great value in the understanding of 11th century Chinese travel literature as well as details of the 11th century Chinese iron industry.

 “Ten years living and dead have drawn apart

I do nothing to remember

But I can not forget

Your lonely grave a thousand miles away ...

Nowhere can I talk of my sorrow --

Even if we met, how would you know me

My face full of dust

My hair like snow?

In the dark of night, a dream: suddenly, I am home

You by the window

Doing your hair

I look at you and can not speak

Your face is streaked by endless tears

Year after year must they break my heart

These moonlit nights?

That low pine grave?”
 
Su Shi

Around 2,700 of Su Song's poems have survived, along with 800 written letters.[1] Su Dongpo excelled in the shi, ci and fu forms of poetry, as well as prose, calligraphy and painting. Some of his notable poems include the First and Second Chibifu (赤壁賦 The Red Cliffs, written during his first exile), Nian Nu Jiao: Chibi Huai Gu (念奴嬌.赤壁懷古 Remembering Chibi, to the tune of Nian Nu Jiao) and Shui diao ge tou (水調歌頭 Remembering Su Che on the Mid-Autumn Festival, 中秋節). The two former poems were inspired by the 3rd century naval battle of the Three Kingdoms era, the Battle of Chibi in the year 208. The bulk of his poems are in the shi style, but his poetic fame rests largely on his 350 ci style poems. Su Shi also founded the haofang school, which cultivated an attitude of heroic abandon. In both his written works and his visual art, he combined spontaneity, objectivity and vivid descriptions of natural phenomena. Su Shi wrote essays as well, many of which are on politics and governance, including his Liuhoulun (留侯論). His popular politically charged poetry was often the reason of Wang Anshi's supporter's wrath towards him, including this poem criticizing Wang Anshi's stiff reforms of the salt monopoly that made salt increasingly hard to find:

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“An old man of seventy, sickle at his waist,
Feels guilty the spring mountain bamboo
and bracken are sweet.
It's not that the music of Shao has made
him lose his sense of taste.
It's just that he's eaten his food for three
months without salt.”
 
Su Shi

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