作家姓名：John Barth
性别：男
出生日期：1930-5-27
国家：美国
作家简介：

John Simmons Barth (born May 27, 1930) is an American novelist and short-story writer, known for the postmodernist and metafictive quality of his work.

John Barth was born in Cambridge, Maryland, and briefly studied "Elementary Theory and Advanced Orchestration" at Juilliard before attending Johns Hopkins University, receiving a B.A. in 1951 and an M.A. in 1952 (for which he wrote a thesis novel, The Shirt of Nessus).

He was a professor at Penn State University (1953-1965), SUNY Buffalo (1965-1973), Boston University (visiting professor, 1972-1973), and Johns Hopkins University (1973-1995) before he retired in 1995.

Literary work

Barth began his career with The Floating Opera and The End of the Road, two short novels that deal wittily with controversial topics, suicide and abortion respectively. They are straightforward tales; as Barth later remarked, they "didn't know they were novels."

The Sot-Weed Factor, Barth's next novel, is an 800-page satirical epic of the colonization of Maryland based on the life of an actual poet, Ebenezer Cooke, who wrote a poem of the same title. The Sot-Weed Factor is what Northrop Frye called an anatomy — a large, loosely structured work, with digressions, distractions, stories within stories, and lists (such as a lengthy exchange of insulting terms by two prostitutes). The fictional Ebenezer Cooke (repeatedly described as "poet and virgin") is a Candide-like innocent who sets out to write a heroic epic, becomes disillusioned and ends up writing a biting satire.

Barth's next novel, Giles Goat-Boy, of comparable size, is a speculative fiction based on the conceit of the university as universe. A boy raised as a goat discovers his humanity and becomes a savior in a story presented as a computer tape given to Barth, who denies that it is his work. In the course of the novel Giles carries out all the tasks prescribed by Joseph Campbell in The Hero with a Thousand Faces. Barth kept a list of the tasks taped to his wall while he was writing the book.

The short story collection Lost in the Funhouse and the novella collection Chimera, the latter for which Barth received the National Book Award, are even more metafictional than their two predecessors, foregrounding the writing process and presenting achievements such as a seven-deep nested quotation. In LETTERS Barth and the characters of his first six books interact.

While writing these books, Barth was also pondering and discussing the theoretical problems of fiction writing, most notably in an essay, "The Literature of Exhaustion" (first printed in The Atlantic, 1967), that was widely considered to be a statement of "the death of the novel" (compare with Roland Barthes's "The Death of the Author"). Barth has since insisted that he was merely making clear that a particular stage in history was passing, and pointing to possible directions from there. He later (1980) wrote a follow-up essay, "The Literature of Replenishment", to clarify the point.

Barth's fiction continues to maintain a precarious balance between postmodern self-consciousness and wordplay on the one hand, and the sympathetic characterisation and "page-turning" plotting commonly associated with more traditional genres and subgenres of classic and contemporary storytelling.

Awards

    * 1956 — Nominated for the National Book Award for The Floating Opera.
    * 1966 — National Institute of Arts and Letters grant in literature.
    * 1965 — The Brandeis University creative arts award in fiction.
    * 1965-66 — The Rockefeller Foundation grant in fiction.
    * 1968 — Nominated for the National Book Award for Lost in the Funhouse.
    * 1972 — Awarded the National Book Award for Chimera.
    * 1974 — Elected to the American Academy of Arts and Letters.
    * 1974 — Elected to the American Academy of Arts and Sciences.
    * 1997 — F. Scott Fitzgerald Award for Outstanding Achievement in American Fiction.
    * 1998 — Lannan Foundation Lifetime Achievement Award.
    * 1998 — PEN/Malamud Award for Excellence in the Short Story.
    * 1999 — Enoch Pratt Society's Lifetime Achievement in Letters Award.
    * 2008 — Roozi Rozegari, Iranian literature prize for best foreign work translationThe Floating Opera. (For details see the external links)

Selected works

Fiction

    * The Floating Opera (1957)
    * The End of the Road (1958)
    * The Sot-Weed Factor (1960)
    * Giles Goat-Boy, or, The Revised New Syllabus (1966)
    * Lost in the Funhouse: Fiction for Print, Tape, Live Voice (stories) (1968)
    * Chimera (three linked novellas) (1972)
    * LETTERS (1979)
    * Sabbatical: A Romance (1982)
    * The Tidewater Tales (1987)
    * The Last Voyage of Somebody the Sailor (1991)
    * Once upon a Time: A Floating Opera (memoirish novel) (1994)
    * On with the Story (stories) (1996)
    * Coming Soon!!!: A Narrative (2001)
    * The Book of Ten Nights and a Night: Eleven Stories (2004)
    * Where Three Roads Meet (three linked novellas) (2005)
    * The Development (2008)

Nonfiction

    * The Friday Book (1984)
    * Further Fridays (1995)

约翰·西蒙斯·巴思（生于1930年3月27日），美国小说家，其小说被认为具有后现代主义和超小说性质。
　　巴思生于剑桥，马里兰，在进入约翰·霍普金斯大学前曾在朱利亚德学院短暂学习管弦乐，1951年获得文学学士学位，1952年获硕士学位。1956年因《漂浮的歌剧院》获布克奖提名。1972年因《客迈拉》获布克奖。